Virtual Against the Real :: Movies Technology Essays

Virtual Against the Real Two men stand on the rooftop. ane world, dressed in a black suit and black tie, shoots a penetrating look at the other through his dark sunglasses. With a quick flick of his wrists, the man in the suit fires a fistful of lethal bullets. Time slows down as the projectiles float towards their victim. The camera slant changes as the man acrobatic entirelyy bends back to dodge the rippling bullets. move The bullets fly by in normal speed as the man quickly gets back up. Neo, the man who around tasted lead, straightens himself out before proceed to battle the agents of the virtual world. I sat back comfortably on my couch watching The Matrix (1999), thinking of the virtual versus the real. All the movies I saw recently, on the whole the advertisements that covered the media, and almost anywhere I went, I noticed the use of data processor graphics. Even the movie I was watching, The Matrix, was intensify and completed with the aid of computerized spe cial effects. In order to make a blockbuster hit, it seems as if computer graphics are essential. However, with computers readily available at their fingertips, a portion of the producers, artists, designers are beginning to use computer graphics not so much to enhance as to step in the real. Whenever computer technology is used to replace what is real, I fear there is a danger of losing aspects of a vital humanity. Nowadays, any top lore fiction or action/adventure movie uses at least(prenominal) some bit of computerized special effects. I still remember cosmos amazed at how real the tyrannosaurus rex looked in the blockbuster hit, Jurassic Park. I was amazed at the power and realism of the virtual dinosaur. electronic computer graphics, in some respect, are a necessity in straight offs films. For example, in Tom Hanks Cast Away (2000), all the island scenes were filmed on a mud-pile overlooking a parking lot. Michael A Hiltzik in Digital Cinema Take 2 describes how almos t all the shots with a sky or ocean were done with special effects. in that respect are numerous examples where computer graphics enhanced the film, including the creation of romance worlds in Lord of the Rings (2001). What made these computer-enhanced movies so effective was that they relied almost entirely on live human actors. They had the beautifully depicted scenery, from the white-hot mountains to the cozy village of the Hobbits, that were all generated by computer, but there is cryptograph better to portray human stories, stories that we can imagine ourselves in, than live actors.