The Theories from the Movie of Confessions of a Shopaholic

Instances with cultural dimension ar everywhere. The very normal chance(a) affairs that relate to cultural field could intricately stand on behalf of, or are mold by, wider amicable and cultural forces (Miller, McHoul, 1). For instance, in the plastic film of Confessions of a Shopaholic (2009), fashion as a significant element, including the appearances of projection, consumption and aesthetics, as well as the status of top(prenominal) class, determines self-identity and expresses is nature and discourses. This essay will first briefly introduce the delineation, followed by delimitate and elaborating two theories.Subsequently, two of the movie clips deemed as culture examples, each represent the key notions from two scholars will be analyzed. Ultimately the essay would acquire the conclusion with cultural lead ideas. According to the introduction of Metacritic (2009), the movie of Confessions of a Shopaholic (2009) mainly describes a girl named Rebecca Bloomwood who is abs olutely a shopaholic. In lay to achieve the dream of working for her beloved fashion magazine, she snags a stage business of being an economic columnist for a financial magazine, which is published by the same company.Ironically, she guides mickle to effectively manage money on the one hand and has loads of debts to pay off on the other hand. She has to take form up lies to evade creditors tracking. Eventually, the comedy ends with Rebecca turning over a new leaf and celebrating both career and love after stinging introspection and self-reflection. The movie of Confessions of a Shopaholic (2009) is occupied by fashion, glamour and shopping. This refers a person with a compulsive passion to shop. This movie lightly knotted gender bias and stereotypes with the terms. For instance, women who love buying are called shopaholics.While, occasionally, men are called collectors which have the same situation as women. However, the movie principally illustrates peoples desire for consum ption and self-expression finished styling and taste, which will be lucubrate by theories as following. In the movie, the view of simplified consumption is wide and contendably acknowledged. Shopping, an approach of leisure and overpowering conviction, offers people happiness and enjoyment. collect to the reports and evidences from Carlson (2008), it can be powerfully argued that people consume for the sake of consuming in real life.The Polish sociologist, Zygmunt Bauman (1925- ) illustrates the modern consuming in the theory of consuming life, based on his theory of consumerism and liquefiable modernity. With the heuristics perceptiveness of consumers and consuming life, he discovered three exaltation categories, to wit consumerism, the society of consumers, and consumer culture, to demonstrate consumers as a part of the society as well as the possible relationships among them. (Patterson 4). Bauman chiefly addresses consumerism about the subjectivity of single(a) consu mers and states the motivated role of the unfulfilled desires and unsatisfied needs.As for the second model type, Bauman argues the inevitable relationship between individuals and the world. In addition, salability is coined to define the cause of social membership raised by individuals consumption. The third ideal type, notably consumer culture, is takeed to moves to a mes-olevel discussion of the social networks and interactions that exist deep down liquid modernity. (ibid. ) In Baumans theory, people are believed live in the postmodernist consumer society and consumption is increasing in volume. Consumers satisfaction is nictitation and delayed.As the report of Miller (33), at the moment of purchase, women are merely satisfied in situations of purchase. The satisfaction brought by consumed goods is limited and short-term, the length of which ordinarily should be reduced to bare minimum. However, Bauman (17) argues that the impatient, impetuous, and restive consumption would be more than likely and much easier to fade off and lose interests as well, which reverses the traditionalistic relationship between satisfactions and instant needs. At the beginning of the movie, Rebecca Bloomwood, who already has a debt of $900, is still fascinated by the green scarf that she does not truly need.Finally she buys it due to her immediate desire even it is not necessary. throughout the movie, there are numerous scenes in which she regrets for her impetuous perchance. Do we really need another chair? as David Report asked. They claim that things that are not really necessary cram peoples homes and people purchase them because of imputation and short time self-satisfaction (Carlson 4). Moreover, Bauman clarifies consumer game as the excitement of sensation, which excludes the greediness of obtainment as well as the real sense without wealth.Consumers ought to consume rationally and in control. Desire, is regarded could be reproduce by itself, and has self-perpetua ting motive. As Mark C. Taylor and Esa Saarinen once said, Desire does not desire satisfaction. To the contrary, desire desires desire. (Bauman 5). The movie of Confessions of a Shopaholic (2009) presents numerous and various scenes of fashion judgments. For instance, one of the clips depicts the confusion of Rebecca, who discovers the illustrious background of her boss, whom she thought was nonentity and nobody.When asked why wearing these low-cost clothes, he answers that he does not want to be labeled by his clothes and the appearance, which says the underlying tastes and sense of fashion. Pierre Bourdieu (1990-2002), who was born in an out-of-the-way corner of southwest France, illustrates and clarifies these situations with the predilection of form and the class taste. In his youth, He was cultivated in philosophy. However, after the experience of participation of the Algerian War, he transformed to be a social scientist. Nevertheless he had philosophical logic and accurac y (Grass 1) as well.In Bourdieu theory, drawn from a long-run scientific observation, cultural needs are demonstrated to be the crossing of upbringing and education. Cultural practices, including literature, painting or music, are closely link up to the educational level and subsequently to social origin. According to both the check from the strongest extra-curricular culture and the extent of the cultural practices, which are recognized by the educational system, the background and formal education could change. Therefore the manner of tastes and class forms within the discourses as well as structures (Bourdieu 2).The divers(prenominal) lifestyles associated with them (Wacquant 7) could be understood as the approach to categorizing and distinguishing people. In addition, the theory shows how individuals characterize and reversely define themselves to others. For instance, the upper class makes adjudication based on the mannerisms, interests and tastes (Bourdieu 2). Habitus, me aning the way that the body is shaped by discourses as well as the environment, is clearly visible through taste.Through the process of which people recognize, judge, and operate in the world, habitus successfully assigns the system of ispositions, which is shared by countless people who have quasi(prenominal) experiences and ideas. Habitus, the mediation between both the past and present stimuli, is socially organize and is simultaneously structuring the society. The reason for Bourdieus exemplification of the unchosen principle of all choices, as well as the product of structure, producer of practice, and reproducer of structure to hibitus is that it provides form and one to a range of activities of an individual by crossing the separate spheres of life.Moreover, habitus is a principle of both social persistency and discontinuity. It is social continuity because of its ability to store social forces in individuals and transport them across time and space. Furthermore, It is di scontinuity in that it could be modified through the acquisition of new dispositions and the reason that it can trigger innovation whenever it encounters a social setting antagonistic with the setting from which it issues. Wacquant 7). All in all, the comedy of Confessions of A Shopaholic (2009) could be intensely analyzed by culture theories. After the briefly introduction of the movie, Baumans theory was introduced to illustrate the conception of consumption. Moreover, the three ideal categories detail the conception and the hypothesis of satisfaction of desire, suggesting the impetuous purchase would fade off heretofore the desire never would.Subsequently, Bourdieus theory of taste classifies and categorizes people with regard to taste and education. The mingled manners are closely linked to the dissimilar positions in social factor, which possibly bound up with the systems of habitus of the different classes (Bourdieu 2). In fact, despite the fact that the cultural studies a bout desire as well as habitus has been already made progresses, it is obvious and clear that they would still be discussed and argued within a long period of time.Referencehttp//lists.extropy.org/pipermail/paleopsych/2006-January/004927.htmlhttp//www.metacritic.com/movie/confessions-of-a-shopaholic